1
Assistant Professor, Department of Persian Language and Literature, Khoi Branch, Islamic Azad University, Khoi. Iran
2
Ph.D. student, Department of Persian Language and Literature, Khoi Branch, Islamic Azad University, Khoi. Iran
Abstract
The image, if not the basis of the poem, is one of the main elements of its construction; the poets, by creating their own poetic images, also display their individual tendencies, as well as their personal and periodic style, along with their ability to imagine their imagination. This research is a descriptive-analytical approach and with the aim of studying different types and types of similarities, the poet's poems have been examined from the point of view ofthe quantity and quality of the images and uses the stylistic considerations. The peak of the poet's portrayal of the poet is less than that in the poetry, poetry, and observer, and the order of the other parts, and the number of similarities used in the pretentious of all.The findings show that in all of his works likeness, sensory-like sensation, singular likeness and assimilation are more frequent than other similarities in each group.
Shokati,A and Tauoq,A . (2019). Similar place, the most frequent element of imagination in vahshi bafghi poem. Critique, Analysis and Aesthetics of Texts, 1(1), 64-83.
MLA
Shokati,A , and Tauoq,A . "Similar place, the most frequent element of imagination in vahshi bafghi poem", Critique, Analysis and Aesthetics of Texts, 1, 1, 2019, 64-83.
HARVARD
Shokati A, Tauoq A. (2019). 'Similar place, the most frequent element of imagination in vahshi bafghi poem', Critique, Analysis and Aesthetics of Texts, 1(1), pp. 64-83.
CHICAGO
A Shokati and A Tauoq, "Similar place, the most frequent element of imagination in vahshi bafghi poem," Critique, Analysis and Aesthetics of Texts, 1 1 (2019): 64-83,
VANCOUVER
Shokati A, Tauoq A. Similar place, the most frequent element of imagination in vahshi bafghi poem. Critique, Analysis and Aesthetics of Texts. 2019;1(1):64-83 (In Persian).