فصلنامه نقد، تحلیل و زیبایی شناسی متون
نوع مقاله : مقاله پژوهشی
نویسنده
گروه زبان و ادبیات فارسی، دانشکدۀ علوم انسانی، دانشگاه آزاد اسلامی، همدان، ایران.
کلیدواژهها
عنوان مقاله English
نویسنده English
century transformed the worldview of many artists and laid the foundations of a great edifice continues to this day. Along with its various developments, this school presented a theory about imagination, according to which imaginary forms moved beyond the purely decorative aspect and approached the realm of intuition and illumination. This theory was based on four fundamental principles: naturalism, the unity of object and subject, discovery and intuition, and symbolism. Unlike classical poets, the romantic poet reaches truth not through the sky, but through nature. By immersing himself in the various manifestations of the universe, especially nature, he reaches a mystical unity with the world. In this unity of the object and subject, he experiences enlightenment, and finally turns to symbols to express his intuitive experiences. In this article, the author has attempted to examine and explain these four basic elements of romantic imagination in Sohrab Sepehri's poems. In our opinion, Sepehri's attitude towards facing nature and discovering the truth of existence is in line with the attitude of the Romantic poets of the 18th century Europe. To examine this artistic approach in Sepehri's poetry, we will first take a look at the theory of imagination from a historical perspective.
کلیدواژهها English
