نوع مقاله : مقاله پژوهشی
نویسنده
دانشجوی دکتری زبان و ادبیات فارسی ، یزد، ایران
چکیده
کلیدواژهها
موضوعات
عنوان مقاله [English]
نویسنده [English]
Fitness and coordination between poem formations and its entanglement with content and maximum use of literary capacity can in a wide range enhance emotional images from "This, not that" to "the very this one". Based on this approach, the aim of following research, is an analysis of how did Mir Seyyed Ali Hamadani present his mystical thoughts in four musical areas, literary illustrations, and aesthetically standards of Music? And how did he use expressive language facilities in the service of presenting especial mystical world viewing and expressing creative imagery, rebuilding and reopening his different criteria of his thoughts? In outer Music area (meter), according to his composition of sophisticated use of phonetic and meter, he can be considered as the poet of "Bahr Raml". In the field of music (rhyme and row), audio line and strengthening the vertical axis of symmetry are implied with exquisite imagery, highlighting the implications of closer union with the singer, trying to instill concepts. Inner music with focus on repetition, makes the echo of concepts more prominent in the minds of audience and in spiritual music concepts, with rhetorical common language, the reader is led through the understanding of literary art to literary enjoy. This research is descriptive and data are investigated by using content analysis method.
کلیدواژهها [English]
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