فصلنامه نقد، تحلیل و زیبایی شناسی متون
نوع مقاله : مقاله پژوهشی
نویسندگان
1 دانشجوی دکتری گروه زبان و ادبیات فارسی@ دانشکده ادبیات فارسی و زبانهای خارجی، دانشگاه سمنان، سمنان، ایران
2 دانشیار گروه آموزشی زبان و ادبیات فارسی @ دانشکده ادبیات فارسی و زبان های خارجی، دانشگاه سمنان، سمنان، ایران
کلیدواژهها
عنوان مقاله English
نویسندگان English
Dialogue logic is the main essence of Bakhtin's thought in all his intellectual levels. He considers the logic of conversation to be the basis of human life, which causes him to open new windows of worldview based on conversation in the audience's mind.
With the spread of Bakhtin's polyphonic theory, a new approach became the focus of attention of writers and researchers of literary texts. This approach with its special meta-linguistic features was able to bring a different perception of literary texts. The current research is based on the analytical descriptive method through library note taking and its main purpose is to explain the polyphony in Ghazal 144 of Diwan Hafez based on the theory of Mikhail Bakhtin. The results indicate that: the poem in question has become a dialogue-oriented space in which the combination of multiple thoughts and voices is evident. The polyphony of the text of the ghazal in question is the result of the presence of different voices, with the same value and credibility, which is created in different ways. And it can be seen at the semantic, lexical and structural level. It was also clarified that in all the verses of Ghazal, although Hafez himself is the composer of the verses, but it seems that there is no single speaker; That is, Hafez himself is the party of Hafez's conversation and every time he presents his point of view in a different position. This speaker is sometimes in the same row with Hafez, and sometimes she stands in front of her and blames her, and sometimes she guides her in the position of omniscient.
کلیدواژهها English
