فصلنامه نقد، تحلیل و زیبایی شناسی متون
نوع مقاله : مقاله پژوهشی
نویسندگان
دانشکده ادبیات و علوم انسانی، گروه زبان و ادبیات فارسی، دانشگاه ارومیه، ارومیه، ایران
کلیدواژهها
عنوان مقاله English
نویسندگان English
Saadi Shirazi is among the poets and writers who have used the best quality of the phonetic and written structure of letters and words in creating poetic images. By creatively utilizing the shape and sound of the letters of the Persian alphabet, such as "Alef-الف" symbolizing tall stature, "Sin-سین" as a description and depiction of the beloved's teeth, "Qaf-قاف" as a sign of honor and respect, "Kaf-کاف" as a container of fate, and "N-نون" as a depiction of the face and mole, as well as figurative words such as " cypress", "Saba Wind", "Spring", " sunshine", "The moon" and..., he has presented original and wonderful images. Using metaphorical and allegorical techniques, repetition of phonemes, and phonetic harmony, Saadi has enhanced the music of the word and presented prominent visual and emotional images in the mind of the audience. The written form of the letters, from the upright "alef-الف" to the curved "kaf-کاف", is linked to philosophical and romantic concepts, adding to the semantic richness of his poems. Natural and celestial elements, along with the delicate phonetic structure, transform the beloved into a symbol of perfection and transcendent beauty that conveys a sense of transcendence to the audience. The following research, by analyzing examples of Sonnets, odes, and Boustan, reveals Saadi's genius in combining form, sound, and meaning, and shows how, by mastering the Persian language and script, he created impressive images and brought the poetic tradition to its peak.
کلیدواژهها English
